Alexa Mini LF – formati snimanja

Suvremene digitalne filmske kamere sve su kompleksnije i nude pregršt mogućnosti ugađanja tehničkih parametara. Kako bi na jednom mjestu prezentirali sve formate kojima raspolaže popularna kamera Alexa Mini LF, u Arri-u u kreirali poster na kojem su opisali sve formate, svojevrstan grafički pregledan podsjetnik.

Evo i popisa svih formata i kako njihovu namjenu definiraju u Arri-u:

  1. 4.5K LF 3:2 Open Gate: Maximum image quality, image area, and resolution for spherical and anamorphic lenses providing enormous flexibility in post. 
  2. 4.5K LF 2.39:1: Designed for shooting 2.39:1 cinematic widescreen with spherical large-format lenses. 
  3. 4.3K LF 16:9: The unique large-format look with a drastically reduced data rate, through in-camera down-sampling to your target deliverable of 16:9 UHD or HD. 
  4. 3.8K LF 16:9: The smallest sensor area compliant with 4K mandates allows the use of many spherical S35 lenses. In-camera down-sampling options provide lower data rates for cost-efficient ways to achieve the large-format look. 
  5. 2.8K LF 1:1: Designed for shooting with 2x anamorphic lenses for a target deliverable of 2:1, fulfilling 4K mandates. 
  6. 3.4K S35 3:2: The most flexible format for S35 projects, covered by most S35 lenses and with enough resolution for many postproduction workflows.
  7. 3.2K S35 16:9: Ideal for shooting with spherical S35 lenses for a 16:9 target deliverable. 
  8. 2.8K S35 4:3: For projects using anamorphic S35 lenses for
    a target deliverable of 2.39:1, or spherical S35 lenses for a target deliverable of either 1.33:1, or 1.85:1 with extra room above and below the image. 
  9. 2.8K S35 16:9: The quickest way to an HD deliverable, with a super-low data rate and the assurance that the sensor area is covered by any S35 lens.

Originalni poster u A4 formatu možete preuzeti na ovoj poveznici.

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